The work is assembled from films made between 1902 and 2021. A purpose-built algorithm compresses the cinema archive into two hours of non-human viewing at high speed — a thousand times faster than normal.
The 60BPM installation is a spatial composition of twenty wall clocks. Each mechanism is modified by the artist to convey the sensation of elusive time.
A monochrome screen the size of a postage stamp transforms cinema classics into primordial vision — a flicker of pixels barely distinguishing figures in noise. The work explores the boundary between the visible and the seeing, returning cinema to its state of origin.
Hundreds of hours of YouTube shorts transform into a unified multilayered screen, where the stream of visual habits folds into a single digital "atlas of the gaze". The work condenses an ocean of data into several minutes, turning information noise into a meditative landscape.
Old doorbells sound like an ensemble of memory, responding to the viewer's movement with rhythms of forgotten places. The work transforms everyday signals into musical fabric, where each sound carries the trace of dwelling and time.
At the center of the project is the image of a candle flame as a visual and sensory center of expression. Its task is to appeal to the archetypal experience of interacting with fire and to emphasize the sacred dimension of this image.
A video poem assembled from thousands of imperatives from personal email, transforms the language of commands into a vortex of text and sea footage. Each frame, calculated by code, becomes an attempt to hear the invisible orders that govern our inner speech.
Tens of thousands of photographs, cleansed of recognizable objects, form a visual fabric from which everything "named" has disappeared. This archive becomes material for training a DCGAN neural network — an attempt to see what remains when recognition disappears.
Based on data from 17 thousand unread email messages, the artists attempt to expose the violent nature of language in the capitalist and post-capitalist era. A critical mass of words crashes down on the viewer, broadcasting the unified affect of prescribed obediences.
Poems are left without words, but even in this form words unexpectedly continue to be present, now in the role of invisible figures.
Algorithms of computational geometry transform a sheet of paper into a field of lines, figures and randomness, generating a unique drawing. The series explores the connection between code and gesture, between machine precision and manual fluctuation.